I am a 3D artist with a focus on sculptural installation. My practice centres on the physicality of making – labour, touch, and form – as a way of questioning how institutions shape our understanding of cultural value. The act of sculpting is not just process but resistance; a means of leaving a mark, challenging authority, and exploring the uneasy space between object and display.

Much of my work plays with the language of museums and archives. I build imagined artefacts and house them within fabricated vitrines – structures that mimic institutional display while undermining its authority. These environments often feature unruly, organic growths that spill from rigid forms, disrupting the illusion of neutrality that institutional frameworks rely on.

Through speculative histories and constructed narratives, I create installations that blur the lines between authenticity and fiction, presence and performance. I’m interested in how display itself becomes a tool of control, and how the framing of objects can shape perception more than the objects themselves.

By interrogating systems of legitimacy and the boundaries between viewer and artefact, I invite audiences to encounter the entire installation – sculpture, vitrine, space – as a unified critique of institutional power.