My practice is concerned with replication, mutation and the exposure to and consumption of space. In order to maintain the momentum of production with my sculptures, I am in a constant state of creation. The repetitive nature of weaving can be translated as monotonous, inherently incapable of producing variety in terms of its aesthetic qualities. This is when I begin to implicate the importance of seeing in micro when responding and re-assembling the works in space. Meaning that particular attention is paid to the minor details of the textile sculptures, i.e the subtle tonal differences that flow throughout the work. The subject matter I explore with my current works, in all their iterations, is the functionality and feeling of flesh. I am particularly influenced by the idea that skin is our sensory surveillance system. One that simultaneously grants and denies substances access to the body. Dermal absorption remains largely unnoticed in terms of its visuality but this selection process is vital for the separation of interior and exterior. This divide is ever present although not always immediately obvious, my work aims to expose the ambiguity that is concealed within the unseen boundaries of inside and outside.